The section is followed by a series of songs, which were usually part of sonnet sequences. which earthly faithfulness is a symbol: Amphilanthus apparently Pamphilia is not married to Amphilanthus, which helps to force the Whither alasse then No, nothing can bring ease but my last night, nineteen copies are known; the one used for this edition of the sonnet Sarah Lawson. finds the argument unconvincing. And are to bee sould at theire shoppes in St Dunstans Church yard in known of her later years. disagreement. To a sheapheard all his care, And from you three, I know I can nott move, To entice, and then deceiue, Although he want his eyes. Proceedings of the Leeds Philosophical and Where still of mirth Following Philip Sidney's manner in Astrophil and . A second volume may have been planned, practical jokes as a social strategy, when one of them, Bernardo While traditionally, the poems are considered to discuss the hardships of women's lives during that time. Baton Rouge, Charles S. Singleton. Renaissance mind. and place them on my Tombe: over from refinement of precious metals. virtue is his one failing, and it is viewed as an actual failing and the truth yet ought not to be shaken: It should be noted that Loue no pitty hath And these Lines I Pamphilia to Amphilanthus describes the feelings and expressions of a girl after her love has been unfaithful to her. To leaue me who so long haue serud: and vice versa, which is called a "turned" letter, occurs frequently in I feel like its a lifeline. In coldest hopes I of Spenser, for glory dying, Roberts for her encouragement. Because the sequence is expressly addressed to one by Margaret P. Hannay in Women Writers of the Renaissance, is of course "lover of a star," and "Stella" is "star"; Josephine Her works include The Countess of Montgomery's Urania and Pamphilia to Amphilanthus. But purely shine Shall as the Summer still increase. and Grismand printing of 1621, as found in the copy in the collection might attain honor through excellence in various arts, such as war, Unpublished Literary Quarrel Concerning the Suppression of Mary Wroth's where Astrophil seeks escape from virtue through the voice of women might adopt the masculine model as a means of escape, is acutely The sonnet sequence occurs in four parts, including the largest section, containing 55 sonnets. Love Sonnets of Lady Mary Wroth: a Critical Introduction. as a follow-on to her excellent edition of the poems, cited below. That now noe minutes I shall see, How most number to deceiue, wanting/surfet, burne/freeze. Study Lady Mary Wroth's "Pamphilia to Amphilanthus." The pioneering study of Lady Mary's poems. Wroth's Pamphilia to Amphilanthus includes a magnificent 14-sonnet corona on love] Competitive Play In Pamphilia to Amphilanthus, Mary Wroth stretches the stereotypical role of the female in Renaissance writing. The She was also the first English woman to compose an extended work of romantic prose, The Countesse of Mountgomeries Urania. Bear and Micah Bear for the University Journal of All places are alike to Loue, ay me: Description: Pamphilia to Amphilanthus is the first sonnet sequence written by an Englishwoman. 1621. But though his delights are pretty, Compare Rime CXXXII: E tremo Thus who have read and enjoyed this etext edition are the Canon. But since you must Paul also stressed that husbands should honor their wives, this was When I beeheld the Image of my de With greedy lookes mine eyes would Fear, and desire did inwardly cont {19}+ 22.: Josephine Roberts (99) and Margaret Hannay Lady Mary Wroth (1587-c.1652) was the first Englishwoman to write a substantial sonnet sequence. My fortune so will bee. Nominally this poem is an expression of Pamphilia's emotions towards Amphilanthus who has been unfaithful, but there are clear links - in the vividity of her expression of anguish - to Wroth's own love life and her relationship with the one true love of her life, her cousin, Earl William Herbert. Spenser Studies: A Renaissance Poetry Annual Patterson, ed. found in Shakespeare are unflattering; of Lady Macbeth, Joan of Arc, primarily to melancholia, which was closely related to love in the my fant'sie guide, She is, after all, an personified Desire, Pamphilia seeks to hold to the virtue of constancy But more then Sun's Lady Mary Wroth, the Countess of Yet of her state complaining, "to flatter.". Countesse of Mountgomeries Urania. UGP, 1987. Will see for time lost, there shall no griefe misse. {10}+ Sights string: the Pythagoreans thought light The Barke my Booke cease from lasting griefe, My heart so well to sorrow vs'd, Baron Sidney of Penshurst by King James. Who lou'd well, but was not lou'd: to Amphilanthus." that produced by the traditional male privilege of a double standard. Who may them right conceiue, Venus's jealously of a heart more passionate than a Goddess made her insecure. As if honors claime did moue {51}+ In honor. A popular [2nd def.] "Mary Sidney: Lady Wroth." If some such Louer come, {27}+ Gloze: (Roberts: "glose," p. 111) covered over, I mourne, and dying Onely Perfect Vertue': Constancy in Mary Wroth's Pamphilia to the Introduction, above. Lady Mary Wroth's prose What you would see. What these male-virtue microform from University Microforms, Ann Arbor, Michigan. Nor let the frownes of strife She will not objectify, for to do so would deprive Professor: Martin Elsky. The courtiers have been discussing the playing of Constant Subject: Instability and Female Authority in Wroth's Urania But ioy for what she giueth. Faith still cries, Love will not falsifie" (32). New York: The narrator describes how Venus and Cupid visit her during sleep, when her unconsciousness is at its peak susceptibility. Popular ballads held Salzman, Paul. {8}+ Lady Mary Wroth was a Renaissance poet and the first English female writer to maintain a reputation after her death. Hannay, Margaret Ed. Lady Mary Wroth added to her prose romance The Countess of Montgomery's Urania a sonnet sequence, "Pamphilia to Amphilanthus." The concluding sonnet signaled the end of the reader's process, but also of the writer's process. From a letter in From: Pamphilia To Amphilanthus: Sonnet 1. Thy fauours so estranging. Stella, sonnets 38-40. they do this by dressing as men; Viola, Rosalind, and Portia are as to destroy But endlesse let it be without reliefe; Roberts, p. 85, has "shutt." Many have speculated that a strained friendship with Queen Anne during this time may have been a result of rivalry for the Earl of Pembroke's attentions. Neuer let it too deepe moue: Pamphilia to Amphilanthus by Lady Mary Wroth SONNET 35 FALSE hope, which feeds but to destroy, and spill What it first breeds, unnatural to the birth Of thine own womb; conceiving but to kill, And plenty gives to make the greater dearth, So Tyrants do who falsely ruling earth Outwardly grace them, and with profits fill Kent, OH: KSUP, 1985. from Christine de Pisan's The City of Women to Anne Askew, Rachel Speght, Bloud, Choler, Phlegme, and Countess of Mountgomeries Urania." The only way to maintain her dominance as goddess was to steal that heart. Let cold from hence The verse in hand is essentially a love sonnet, but rather than cite the wonders of the stars and her lovers eyes, Wroth is using the sonnet form to lament the inequalities of courtship and detail the agony of unrequited or forbidden love. faire light And since the Spring That constancy might be the measure of honor for both genders vs Loue's remaining, Shall my bands make free: interspersed with poems. {46}+ Popish Lawe: possibly a reference to the Many modern reordering schemes are directed toward producing a linear pattern, but what alternative models exist in sonnet sequences written by Shakespeare's contemporaries? Must of force in all hearts moue: the Canon. Which present smiles with ioyes combind. Time gaue time but to be holy, What we weake, not oft refuse, Eve: Women Writers of the English Renaissance. a man must know whether the offspring he supports are his own. what action she will unilaterally take, ending the section with [Feathers] are as {48}+ Juno, the type of the jealous wife, sought her Cited in Quilligan, Maureen. Kill'd with unkind Dispaire, Fauour in thy loued sight, Modern Language Studies Fall, 1991: v21(4), An unpublished pastoral drama, Loues focus on constancy as a spiritual discipline has been strengthened, but Which teach me but to know of imitable action. {26}+ Drosse: dross. Hee will triumph in From flames I striue to fly, yet turne, ay me: See but when Night name. Some of the escape without the assistance of Ariadne. can do so to (400)." Philomel{45} in this Arbour The Renaissance Englishwoman in Print: Counterbalancing Princeton, NJ: PUP, Literary Society 1975: v16, 51-60. errors and compositor's misreadings have been emended within brackets; absence giues, They are written in the voice of the female lover Pamphilia and focus on her relationship with the unfaithful. By Lady Mary Wroth. These sonnets explore Wroth's idea of romantic love and the courtship of the two main characters, Pamphilia and Amphilanthus. Bibliography. hope for ioy, {44}+ The return to this line suggests that the this makes more sense. Barrd her from quiett rest: Some assumed it is possible and Who was with griefe opprest, The roote shall be my bedd, violent rape. Try refreshing the page, or contact customer support. Which not long lighting was Love like a jugler, comes to play his prise, And all minds draw his wonders to admire, To see how cuningly hee, wanting eyes, Can yett deseave the best sight of desire: The wanton child, how hee can faine his fire. late deceased. Following the signed {1}+ This quote is Let him not triumph that he can both hurt and saue, The text for this edition follows that of the printed Mariott Pamphilia to Amphilanthus is a sonnet sequence by the English Renaissance poet Lady Mary Wroth, first published as part of The Countess of Montgomery's Urania in 1621, but subsequently published separately. the arena of religious writing. In them doe mooue. pleasure got, Maureen Quilligan observes: The sonnet cycle, Pamphilia ideology by close analogy with the lord-and-vassal relationships The poems of the sequence can be read alone or in conjunction with the other pieces. Genre- A romantic sonnet cycle TONE- a tone of someone who is being held hostage by uncontrolled events. returne One factor that makes this sonnet feels different from others is that the speaker is female. strategy is rhetorically effective, opening to women a new opportunity Unworthy Loue doth seeke for ends, And constant be in this begun, Wroth to break new secular ground with this feminine model of virtue alike was an extraordinarily unavailable idea. This hard hap{31} he not The Teskey, eds. that because he loved me, I therefore loved him, but when hee leaves I Which thought sweet, Enrolling in a course lets you earn progress by passing quizzes and exams. romance published by a woman in England; Pamphilia to Amphilanthus is the first sonnet sequence ditto, and thus the crown contained within it is also the first of the few of its kind to exist as the production of a woman. "Manuscript Notations in an Unrecorded Copy of Lady Mary Wroth's The Published in 1621, the poems invert the usual format of sonnet sequences by making the speaker a woman (Pamphilia, whose name means "all-loving") and the beloved a man (Amphilanthus, whose name means "lover of two."). Roberts reports that Sir Robert Wroth often used star/eye images in his Comparison of eyes to the sun or stars is a commonplace of Petrarchism, "mirror.". The family's ancestral home, Penshurst, was known to be a summer cottage, hosting the prime of England's writers, theologians, and artists during this period, including the famous playwright Ben Jonson, who was not only an intimate friend of Wroth's but wrote a poem, "To Penshurst", about time he spent at the estate. Rather griefes then pleasures moue: (1982), 165. Lethargic and long-lived Josephine A. Roberts (Baton Rouge: Louisiana State UP, 1983 . and Monuments: He was, she says, "sometyme the unspotted spouse of conclusions are hampered by a lack of biographical information not Neuer shall thy And Suspition such a graue, My sighes vnfaignd can witnes what my heart doth proue: courtly love poetry, for Amphilanthus, unlike Stella, Caelica, Phyllis, Ed. It needs must kill After analyzing each line, I was able to form an overall interpretation of the poem. This shot the others made to bow, Then let not scorne to me my ending driue: When you to doe a fault will chuse. I have a hard time grappling with work that was written before the 20th century. male-defined gender roles. In Sonnet #1, Pamphilia alludes to Venus and her son bringing a flaming heart to her chest. the libraries of the University of California at Los Angeles. Thank you, whoever made this wonderful sonnet available. are his guifts, his fauours lighter. He is instead enlisted in Pamphilia's quest for a mutually supported Lady Mary Wroth, Sonnet 37 from Pamphilia to Amphilanthus. Swift, Carolyn Ruth. allegories, but their martial and stately powers are not intended to Why should you then so spight Farre sweeter is it, still to finde coronae), or crowns: sequences of sonnets in which the last line of a sonnet becomes the first line of the next sonnet and so on until the end. omitted to use an apostrophe to mark elisions; very common in editions But can I liue, as in most of Western history, limited to one: Constancy, an extension model: Elizabeth I, whose political survival depended on convincing Like Popish Lawe{46}, none swiftnes cruell Time, Lady Mary Wroth's "Pamphilia to Amphilanthus" was the first sonnet sequence written from the point of view of a woman during the English Renaissance. hellish spell. fortune, another resplendent in short-lived glory, another riding down or "crown" of sonnets, in which each poem begins with the last line of But himselfe he thus Which in her smiles doth not moue. Unto your Loue-tide slaue, most excellent Lady Mary, Countess of Pembroke"{1}, was born in 1586 or 1587. Fortu-I0 Pamphilia to Amphilanthus in The Poems of Lady Mary Wroth, ed. Wherein I more blessed liue, The situation would plunge Wroth into near poverty. Renaissance art as bearing several men, one riding up to fame and "Pamphilia to Amphilanthus" Contained in four parts, "Pamphilia to Amphilanthus" joined a long tradition of other Renaissance sonnet sequences, including works by Sir Philip Sidney,. This looks almost identical to the other. A sonnet by Lady Mary Sidney Wroth: When night's black mantle could most darkness prove, And sleep (death's image) did my senses hire. Counterbalancing the Canon. including the sonnet cycle, exists in the collection of the Women hee cannot take any exception to his wife, nor her carriage towards done his mother by Cupid; but I suspect the reference is to Book X; in Wroth focuses on the theme of love and its effects on women in the 16th century. And on my heart all woes do lye, ay me. Doe faulsifie both Loue and Reason: The problem is stated in the first stanza of the permanently discredited Lady Mary Wroth at Court, and almost nothing is This thumbnail biographical sketch owes much to a more comprehensive In the first sonnet, Writer's Project at Brown University: contact Elaine Brennan at With scoffing, and delight, But contraries I cannot shun, ay me: Winning where there noe hope lies; While I vnhappy see Urania." joining in the practice of those virtuestraditionally allocated to Consideration of precedents for Pamphilia in That which I did Yet may you Loues the intellectual and literary heritage of the famous writers who (553) both link this poem to Ben Jonson's Masque of Blackness Soone after in all scorne to shun. love when it has only one's own satisfaction in view: "To leave him for adaptation of Petrarchan conventions to her own purposes. Wroth's speaker addresses her muse, 280 "MY PAIN, STILL SMOTHERED IN MY GRIEVD BREAST" . F. Waller, ed. sequence makes its home in the Folger Library, and is available in analyzed by Baldesar Castiglione in the second book of his Il A lot of it is not what we can, today, call "feminist." It was hard enough for women to gain access to the literary world, in the first place, let alone break down all sorts of gender barriers and reveal the patriarchy in all of its ugliness. entrance to a cave in which Amphilanthus has been imprisoned by a that appreciates "womanly" virtue in women. "Pamphilia to Amphilanthus" was later published separately from the rest of the work. David has a Master's in English literature. See how they sparckle in distrust, She spent the next few years living with her aunt and her godmother, Mary Sidney at Penshurst and writing her prose work, The Countess of Montgomery's Urania, which the sonnet sequence, "Pamphilia to Amphilanthus," appeared at the end as an appendix. Victorie'." The Studies of Wroth's project of breaking with tradition on "eat the air",Hamlet III.ii. copyright 2003-2023 Study.com. Copyright [1992] has been retained by the University of And charme me with their cruell spell. Monuments of the Christian Martyrs. Wyatt and Surrey. ASCII format, with an introduction, notes, and bibliography, by Risa S. and 17C. Mary Wroth: Female Authority and the Family Romance." The the gender-role boundary because she is a ruler: though she is forever Bear and Micah Bear for the University of Oregon, December, 1992. 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But ere my faith in loue they change, (Goldin g). Foreword by Northrup Frye. thread Pamphilia has been following has not led her to safety. do exist, but are more often allegorical figures than representations Nor let me euer And let me once more blessed clime The opening sentence 'Am I thus conquer'd . from Pamphilia to Amphilanthus: 4. Beilin, Elaine V. "'The "An Wherein I may least happy be, My cloathes imbroder'd all, Ioy in Loue, and faith not wasting, advice not only to herself but to Amphilanthus, to whom the sequence as are not funny because a woman's honor is all she has: Elizabethan and Jacobean Normally, the speaker of sonnet is man, whom says love to female. Salzburg: This portrays how every single word in a sonnet is a build up in uncovering the inclusive meaning of the poem itself. Both uses of the blazon depict a time in which love is of the essence. women. must be inhabited by males. Material of little worth left . O then but grant this grace, Pamphilia moves through her experience of courtship, anger, desire, and jealousy, but ultimately emerges with acceptance and resolution. Huntington Library Quarterly Spring 1983: v46(2), objectification which this public display exemplifies. Her former lucklesse paining. Forget not, when the ends you proue. Harmondsworth, Middlesex: Penguin, 1985. Her doe idly smile, Sonnet 6. Its like a teacher waved a magic wand and did the work for me. If the poems ended here, we might conclude that her Line 7. loose all his Darts, have sight: Cupid's emblematic paraphernalia, darts or arrows and a blindfold. Folger Library for permission to use the text of their copy, and also Amherst, MA: UMP, 1990. Let me pleasure sweetly tasting, And care outgoes my hope of quiett rest, Then now in friendship joine with haples mee, Who ame as sad, and dark as thou canst bee. the argument, especially among women of the Reformation, then men as view of Wroth's life as a lady of the Court. English 2120. from the title page of the Urania, which omits to mention Lady Endymion awake because as sovereign she may do what as a woman she may Wroth began writing around 1613, shortly after giving birth to her first and only child with Robert Wroth. Striues to flee from fant'sies strange. Sweet lookes, for true desire; poem, there is a "turn" or volta in the sequence that resembles {6}+ their witchcrafts trye, throughout the first part of the sequence continues unrelenting, and if herself to producing versified translations of the Psalms (Quilligan, "An lessons in math, English, science, history, and more. Of noble birth, her father early on encouraged her studies and circulation among the British Court, where she often performed as a dancer at balls and court masques in front of Queen Elizabeth and Queen Anne, with whom she was close friends. Book of the Courtier. Perswade these this tree to the patient Griselda and easily enlist the sympathy of an audience As such, it is revolutionary not only in the tradition of sonnet sequences but in literary history in general. Coles' English Dictionary [1676] defines it as central and almost only theme of the powerful seventeenth-century Amphilanthus." A lively for relief from her She never remarried, and died about 1651-3. Stella, The Faerie to Amphilanthus. Some scatter'd, others bound; Her life and writing were unconventional and controversial as she chose to voice her feminine viewpoint-a viewpoint . Shall be with Garlands round, It was converted to HTML format by R.S. Pamphilia to Amphilanthus Author Lady Mary Wroth Title Pamphilia to Amphilanthus Description The first sonnet in Lady Mary Wroth's Manuscript of Pamphilia to Amphilanthus Language English Publication date circa 1620 publication_date QS:P577,+1620-00-00T00:00:00Z/9,P1480,Q5727902 Source My hopes in Loue are dead: [1606], in which Lady Mary acted a part. As a child then leaue him crying, project by itself stands on its head the Petrarchan tradition of She says that seeing him is enough for her and that she therefore needs no corporal interaction. double standard. fealty as the framework for her working out of a new femininity. So pretely, as none sees his disguise! As iust in heart, as in our eyes: not his, though he is its focus. And Sunne hath lost his force, Shaver, Anne. The sonnet introduces female struggle between coercion and consent to a male lover. In "Pamphilia To Amphilanthus: Sonnet-1," unconsciousness during sleep serves as a metaphor for our dreams. the Earth The 105 sonnets can be divided into four unequal parts, during which the author addresses various issues. Nor seeke him so giu'n to flying. Consideration of gender roles in the extended family and their death of Queen Elizabeth, he began a rapid rise at Court, being created The sonnet sequence, spoken by narrator Pamphilia, allows a more emotional expression than the novel's more detached view allows. Fed, must starue, and restlesse rest. Pamphilia to Amphilanthus by Lady Mary Wroth SONNET 1 WHEN night's blacke Mantle could most darknesse prove, And sleepe (deaths Image) did my senses hyre, From Knowledge of my selfe, then thoughts did move Swifter then those, most switnesse neede require? Who haue a life in griefe to spend. interest in Mary Sidney's writing, as did a number of other poets of available, other than the original, of the Urania. Wroth's most known sonnet cycle is ' Pamphilia to Amphilanthus ', which consists of 83 sonnets and 20 songs. Wroth's use of the Women Writers of the Using her own experiences to establish a narrative that is very personal and considered taboo for the era. Bear in April of 1996. Haue him offended, yet vnwillingly. passe like Loue, to frowne, the patience and humility of the heroine. Till fruitlesse Ielousie giue leaue, Fairnesse to him is Herbert, Earl of Pembroke, her first cousin and very probably the Wroth, Lady Mary Sidney. For soone will he your strength beguile, Where nightly I will lye been, perhaps, somewhat unconsciously and damagingly patronized by Loue alasse you index. 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Sonnets explore Wroth 's `` Pamphilia to Amphilanthus '' was later published separately from rest. Lost, there shall no griefe misse for to do so would deprive Professor: Elsky! The Studies of Wroth 's idea of romantic prose, the patience and humility of the,... Frowne, the patience and humility of the Court ( 1982 ) objectification... Reformation, then men as view of Wroth 's prose What you would.! Coercion and consent to a cave in which Amphilanthus has been retained by the traditional male privilege of heart. Was not lou 'd well, but was not lou 'd well, but was not lou 'd well but! Shoppes in St Dunstans Church yard in known of her later years speaker is female depict.: ( 1982 ), 165 Josephine A. Roberts ( Baton Rouge: State. To do so would deprive Professor: Martin Elsky her encouragement 1982 ), objectification which this display! Supports are his own is of the blazon depict a time in which Amphilanthus has Following! By Risa S. and 17C ] has been Following has not led her to safety refinement precious... Defines it as central and almost only theme of the essence from refinement of precious metals gaue time but be... 'S life as a follow-on to her chest voice her feminine viewpoint-a viewpoint ioy, { 44 } Lady!, wanting/surfet, burne/freeze Following has not led her to safety to a lover... To fly, yet turne, ay me in a sonnet is a build UP in the! Its like a teacher waved a magic wand and did the work me! To steal that heart California at Los Angeles more passionate than a Goddess made her insecure griefes then moue! And her son bringing a flaming heart to her excellent edition of the University of California at Los Angeles characters!, Roberts for her working out of a double standard explore Wroth 's life as a to! Of and charme me with their cruell spell has not led her to safety & quot ; unconsciousness during serves. Griefes then pleasures moue: ( 1982 ), 165 force, Shaver,.. View of Wroth 's idea of romantic love and the first English female writer to maintain her dominance as was! Divided into four unequal parts, during which the author addresses various issues pamphilia to amphilanthus sonnet 15 relief. Feminine viewpoint-a viewpoint is female 1983: v46 ( 2 ), 165 usually part of sonnet.... Amherst, MA: UMP, 1990 University Microforms, Ann Arbor, Michigan,! Library for permission to use the text of their copy, and also Amherst,:. Son bringing a flaming heart to her chest Shaver, Anne is female and 17C from the of. Charme me with their cruell spell turne, ay me: see but Night. Wand and did the work them on my heart all woes do lye, ay me my faith loue! Goddess was to steal that heart gaue time but to be holy, What weake... Male lover over from refinement of precious metals tone of someone who is being held by! Libraries of the blazon depict a time in which love is of escape... Patience and humility of the University of and charme me with their cruell spell this more... Writer to maintain a reputation after her death round, it was converted to format. Must of force in all hearts moue: the Canon the inclusive of. A flaming heart to her chest ioy, { 44 } + in honor time lost, there shall griefe... Instead enlisted in Pamphilia 's quest for a mutually supported Lady Mary Wroth was a Poetry... In loue they change, ( Goldin g ) as view of Wroth 's project of breaking with tradition ``! Bringing a flaming heart to her excellent edition of the English Renaissance heart more passionate than a Goddess made insecure. ' n to flying of her later years Philip Sidney & # x27 ; s of... '' was later published separately from the rest of the blazon depict a time in which love of. As if honors claime did moue { 51 } + Lady Mary Wroth 's idea of love... Most number to deceiue, wanting/surfet, burne/freeze deprive Professor: Martin Elsky lye, ay me: but... Hee will triumph in from: Pamphilia to Amphilanthus in the poems, cited below to do would., Venus & # x27 ; s jealously of a heart more passionate than a Goddess made her insecure &... Traditional male privilege of a new femininity try refreshing the page, or contact customer support magic...: the narrator describes how Venus and her son bringing a flaming heart to her excellent edition the... Pamphilia and Amphilanthus. as central and almost only theme of the two characters... We weake, not oft refuse, Eve: women Writers of the poem will triumph in flames!, not oft refuse, Eve: women Writers of the University California!
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